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The Metropolitan's famous painting of Venus and the Lute Player was unfinished at the time of Titian's death. Altro con una Venere ignuda mezza colca, e non finite sopra un letto con cupido dietro, che li vuole porle una ghirlanda di firori in testa, a piè di essa vi stà a sedere un giovine, che tocca un liuto, con berretta e cappa di veluto all'antica, e spada indorata al fianco, di là un paese con alcune alberi, ad uno de quale vi stà appoggiato uno, che sona, e certi che ballano, la Venere, et il giovine sono figure grandi al naturale, alto palmi sette e mezzo, largo 9 1/2 in tela con cornice dorata, di Titiano" (Another, with a nude Venus, unfinished, half reclining with, behind her, a cupid in the act of putting a garland of flowers on her head; at her feet is seated a youth who plays the lute [and he wears] a velvet hat in the old style and a gilded sword at his side; beyond is a landscape with some trees against one of which there is a figure who plays [an instrument] and others who dance; the Venus and the young man are life size, seven and a half palmi high and 9 1/2 palmi wide, on canvas with a gilded frame, by Titian; Pio 1724).

As ever, we are here to offer support, information, advice and guidance on a range of issues. We're preparing for the different Christmassy events we have planned and so our opening times will reflect this.You can check out our website calendar for information on the sessions and activities we have going on, you can also see our leaflet or just call in to see us. There are no drop in's this week and we have limited availability for our Gateway open access at Venus for general advice and support. Titian and his workshop treated the theme of Venus and a musician at various times during the latter part of his career. He may have worked on this version sporadically over an extended period leaving it unfinished at the time of his death. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum × Offers befriending, advocacy, emotional and practical support to women and families who are vulnerable and may be in need of support to address parenting issues, access services and activities in the community.

Children are offered one to one support from our dedicated Children’s Worker and families are supported to participate in processes such as Common Assessment Framework and Child Protection.

It may be the "Venere nuda del titiano con cornice Bianca in forma grande che sta a giacere" (the nude Venus who is reclining, a large painting by Titian with a white frame) listed in a 1624 inventory of the collection of Cardinal Pio di Savoia (Testa 1994, pp. The Metropolitan's painting was acquired by Sir Thomas Coke, Earl of Leicester, for Holkham Hall, where it is recorded until its sale in 1931 to the firm of Duveen; it was purchased by the Metropolitan in 1936.

The theme of the Metropolitan's picture was treated by Titian a number of times, re-using the same pose for the goddess. The first, and greatest, image of this sort is the so-called Venus of Urbino (Uffizi, Florence)—"so-called" because its recipient, Guidobaldo II della Rovere, referred to it merely as "la donna nuda", not as Venus, in his negotiations for the picture in 1538.

, Titian revealed both his appreciation of antiquity and his remarkable modernity.

During a sojourn in Rome he wrote that he was "learning from the marvelous ancient stones" that were being unearthed daily in the city.

There is a notable variation in quality from picture to picture, perhaps most easily appreciated in the Museo del Prado, where the two versions of the Venus and an Organ Player can be compared. 420) can be seen to be an essentially autograph, personalized picture, while the related variant that includes Cupid (inv. 420) is the superior picture is revealed not only by the major compositional changes documented in the x-ray, but by the individualized heads of Venus and the musician, as well by the fact that all areas have been brought to the same delicate degree of finish and, indicatively, that the folds of the coverlet do not follow the scheme found in the related compositions.